Today we're taking a look at the works of Hitoshi Takeyiko, director at the Japanese Montblanc (Not the fancy pen) collective. Best known for his work on the very unique After School Midnighters feature film. His commercial and ident work showcases an incredible amount of versatility, working in mediums including hand animation, CG and many others. He's gifted with the ability of making advertisements exciting and stylish, which is no easy task. I imagine most commercial makers these days as creatively starved, burnt out husks - Forced to repeat the same style of commercial in a Sisyphean drudge. For the US about 95% of TV commercials go like this: Add generic, appealing people in generic, but clean environment. Add product in plainview and happiness towards it. Add generic ukulele music and whistling. Queue canceling cable plan in disgust.
Apr 4, 2014
The Awesome Idents Of Hitoshi Takeyiko
Today we're taking a look at the works of Hitoshi Takeyiko, director at the Japanese Montblanc (Not the fancy pen) collective. Best known for his work on the very unique After School Midnighters feature film. His commercial and ident work showcases an incredible amount of versatility, working in mediums including hand animation, CG and many others. He's gifted with the ability of making advertisements exciting and stylish, which is no easy task. I imagine most commercial makers these days as creatively starved, burnt out husks - Forced to repeat the same style of commercial in a Sisyphean drudge. For the US about 95% of TV commercials go like this: Add generic, appealing people in generic, but clean environment. Add product in plainview and happiness towards it. Add generic ukulele music and whistling. Queue canceling cable plan in disgust.
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